The album came out through Paper Bag Records and Arts & Crafts - a new company created by Drew and two young Virgin Music Canada executives. Producer Dave Newfeld's Stars and Sons studio hosted many of these musicians when possible and appropriate from the winter of 2001 through the summer of 2002 to record You Forgot It In People, which was released in October 2002. Charles Spearin, Justin Peroff, Bill Priddle, Andrew Whiteman, Jason Collett, David Newfeld, Leslie Feist, Emily Haines, James Shaw, Michael Lani, Evan Cranley, Amy Millan, Ohad Benchetrit, Martin Davis Kinack, Jo-ann Goldsmith, Torquil Campbell, John Crossingham, Lisa Lobsinger, Julie Penner, K-OS, Murray Lightburn and Jason Tait are among those who can now be considered part of the Broken Social Scene collective. Membership is somewhat fluid and not everyone is included on every recorded song or at every concert, as many of the musicians also perform as solo artists or in other groups - including Metric, Stars, Apostle Of Hustle, Raising The Fawn and Do Make Say Think. It was released in 2001 and more people were added to fill out its sounds on stage. They recorded their primarily instrumental album Feel Good Lost with help from a handful of friends. Because I think we've always been a band that's been a celebration.' True to his word, Drew and company have rendered Hug Of Thunder exactly that.Broken Social Scene is an indie rock band formed in Toronto by core members Kevin Drew and Brendan Canning in 1999. In a recent interview, Broken Social Scene's de facto leader Kevin Drew cited the Paris terror attacks of 2015 as a wake-up call, one that spurred the group's return: 'It just sort of made us want to get out there and play. That doesn't mean, however, the group isn't reacting to the less-than-ideal state of the world. Rather than angry, it's a bittersweet confection that dissolves into a breakneck bridge of soaring guitar heroics. Similarly, the title of 'Protest Song,' one of the album's standout tracks, is not indicative of its sound. She's more downbeat, yet no less evocative, on the elegantly brooding 'Victim Lover.' 'Gonna Get Better' belies its title by sticking to a subdued groove and a swirling, contemplative tone - the feeling of flipping through folders of old photos, letting the rush of memories come. A member of the offshoot AroarA with Broken Social Scene's Andrew Whiteman, she lends piercing elation to 'Stay Happy,' a burst of symphonic pop with a massive yet laid-back beat. When it comes to a mix of ethereality and strength, new vocalist Ariel Engle is no slouch. Later on, the album's celestial title track erupts into a typically majestic chorus, complete with lit-major attention to storytelling and symbolic detail, led by Broken Social Scene breakout star Leslie Feist who pulls off a Kate Bush-level of otherworldliness. 'Halfway Home' is an upward spiral of a song, buoyed by washes of orchestral euphoria and weightless, male-female harmonies worthy of My Bloody Valentine. After an atmospheric instrumental opening harking all the way back to Feel Good Lost, the band kicks in with the anthems. The band has been mostly silent, studio-wise, since 2010's Forgiveness Rock Record - the various members of its loose-knit roster keep themselves busy in other high-profile acts such as Feist, Stars and Metric, not to mention the occasional solo album - but the Toronto collective is at last set to return with its fifth full-length, Hug Of Thunder (out July 7 on Arts & Crafts).įeaturing all 15 original members of the band (Broken Social Scene has never done minimal), Hug Of Thunder does not skimp.

The group's ambient, experimental 2001 debut, Feel Good Lost gave way to the wide-angle vision of its 2002 breakthrough, You Forgot It In People, an album of giddy highs and moody lows.

Before taking a break of seven years from releasing albums, Broken Social Scene established itself as one of indie rock's most epic practitioners.

Broken social scene new album